Painting/Sculpture
Photography/Stereo
 Lenticular/Blackline Computergraphics

   My work kept breaking the plane of the painting rectangle until I began painting in stereo.

   Earth (1978), Wood (1976), Binocular Man (1974), Tree Painting (1978),
   Earth Bones (1978).

Painting/Sculpture
Photography/Stereo
 Lenticular/Blackline Computergraphics

   I built new cameras and combined existing cameras to create stereo xerographs
   polaroids, slides and photographs.
   Sizes varied from 35mm format to 2x3 meter prints.

   GSNeon (1979), Malu (1979), Christa (1981), Bullet thru Balloons (1983),
   Temple (1990), Accordian (1994), Lee Jeans(1994), Mix board (1994).

Painting/Sculpture Photography/Stereo
Lenticular/Blackline
 Computergraphics

   In 1980 Grayson Marshall and I created (and patented) a way to produce large scale
   full color 3-D prints using blackline barrier panels. Grayson has gone on to create many
   of the finest commercial images in the field while I have focused on technological
   improvements and my artwork. Most of my current work uses lenticular lens sheets
   rather than blackline panels.

   Sonia (1983), Lucy (1999), Bones3 (2001)
Painting/Sculpture Photography/Stereo Lenticular/Blackline
Computergraphics

   I was lucky to know John Dunn, the creator of Easel and Lumena and founder of
   Time Arts. In 1983 I used Easel to wed computer graphics to my Z-Tranz (blackline)
   printing technology. As CG evolved I have learned other applications such as Maya.

   Prismdancer, Respirator, Mona Lisa, Bones3 (2001)